A good editor can, theoretically, edit any magazine, regardless of genre. But in some cases, you need an outsider to make things right. To see the forest for the trees.

To that end, Janice Min has planted entire forests—one tree at a time—on both coasts, where the Colorado-born editor considers herself an outsider.

I cared about almost none of this. I don’t care about celebrities or reality stars. It was my job to just think about how to interpret what they were saying and turn that passion into stories. I don’t think that the editors always have to be their audience, but I also think, as an editor I was able to be removed from it and glean like, “That pops. That’s the most important story.”

From Us Weekly, where her instincts led to a massive increase in readership that saved a floundering publication—and likely all of Wenner Media—to The Hollywood Reporter, which was in a death spiral but is now, once again, a widely-respected and well-read industry bible, Min has played a major role in creating what we now call the celebrity-industrial complex, as well as the rise of what became social media and the influencer economy. That’s all.

Now, as cofounder of Ankler Media, Min is once again rethinking publishing—and celebrity. The company is centered around its newsletter, The Ankler, which bills itself as “the newsletter Hollywood loves to hate—and hates to love” and is currently one of the top three business publications on Substack.

Magazines: The original influencers.

Print Is Dead. (Long Live Print!) is a podcast about magazines and the people who made — and make them. In this series, we talk to the legendary designers, editors, writers, publishers, photographers, illustrators, photo editors, and more, who conceived and produced the publications that have dominated our conversations and covered our desks and coffee tables for decades. And many who still do.

We go deep — beyond the heds & deks, captions, sidebars, pull quotes, and factoids — into the lives and careers of this astonishingly talented group of creators.

If you’re in the magazine business — if you’re in ANY business focused on content creation — this podcast is for you. We hope you’ll join us.

HOSTS

Patrick Mitchell, creator & host, is the principal and creative director at MO.D, an award-winning content design and strategy practice offering bespoke design, consulting, and turnkey solutions for media brands. He is the former creative director at Fast Company (one of the most successful media launches in history), O, The Oprah Magazine, Nylon, and Inc. Winner of two National Magazine Awards as well as SPD’s Magazine of the Year.

Debra Bishop, contributing cohost, is the cofounding art director and visual lead of The New York Times for Kids. She worked with the legendary Fred Woodward at Rolling Stone, designing special issues. She has since lead several redesigns including, More, Whole Living, and Parents. In her 12 years at MSLO, Bishop led teams that launched Martha by Mail, Martha Stewart Baby, Martha Stewart Kids, and Blueprint. Martha Stewart Kids was awarded the prestigous ASME National Magazine Award for Design. Kids and Blueprint were both awarded Magazine of the Year by the Society of Publication Designers (SPD).

Print Is Dead. (Long Live Print!)

Episode 41: Janice Min (Editor: The Hollywood Reporter, Us Weekly, Ankler Media, more)

Magazines: The original influencers.

SPONSORS

THE SOCIETY OF PUBLICATION DESIGNERS INC.